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Who has never had conspiratorial thoughts about a situation or an uncontrolled event? Every day, new theories appear and spread, especially on social medias. The Earth is flat, reptilians dominate the world, Brigitte Macron is a man, the Covid-19 vaccine is infested with 5G chips, etc…  Some of these theories make one smile, others dismay but all question our ability to think too much or not enough…

With humour, discernment and perspective, this documentary tries to show and dismantle the mechanisms at work: shortcuts, fallacious associations, sweeping judgments.

Testimonies of specialists, assumed conspiracy theorists, temperature measurements in the street, this film wants to question while entertaining and give a voice to each and everyone even if the dialogue is sometimes complicated. Will the director survive this? Nothing is less certain, as the poison of doubt and conspiracy proliferates in every corner and shakes the foundations of our living together, to the point of questioning our democratic system.

Tous complotistes ! ? (2025) is part of a documentary trilogy started with two previous films, Les Cons, une espèce presque rare (2018) and Préjugés, bienvenue au pays des idées reçues (2023). A work that seeks to sketch the human psyche and question the ties that unite us.

Fantastiques, thrillers, films d’horreur ou de science-fiction : le cinéma de genre a longtemps été le territoire réservé des réalisateurs. La plupart du temps, la jeune fille est en détresse, une héroïne répondant aux codes masculins, cantonnée à des stéréotypes genrés. Un cinéma qui ne peut pas se passer des femmes mais qui en fait ce qu’il veut. Pourtant, depuis quelques années, ce cinéma s’écrit aussi au féminin pluriel et devient peu à peu un territoire d’expression pour les réalisatrices, jusqu’à incarner une nouvelle grammaire féminine et féministe.

Même pas peur(e) revient sur cette bascule. Les moments où les femmes ont cessé d’être les premières à crier, les premières à courir, les premières à mourir… Pour enfin devenir les premières à filmer.

Première diffusion le 2 mars à 22h35 sur Ciné+ Frisson dans le cadre de la thématique 100% genre au féminin

The Annual Production presented by the Ballet School, directed by Élisabeth Platel, give pupils their first on-stage experience and allow the public to discover the wealth of the choreographic language taught at the School.

This season’s performance features a creation by Clairemarie Osta, Le Petit Prince, based on Antoine de Saint-Exupéry’s poetic tale.

Brio, grace and lightness are some of the qualities demanded by the classical language of Soir de fête, a ballet by Léo Staats first performed at the Paris Opera in 1925.

Finally, Yondering, specially conceived by John Neumeier in 1996 for graduating students, is inspired by the spirit of adventure of the American pioneers as they conquered the West, conjuring up the unknown that the students will encounter as they embark on their professional careers.

From 15 to 19 April 2026 – Palais Garnier

Following a traumatic event, my little sister fell into a severe depression. For 4 years, I filmed her and documented her reconstruction, as well as our bond.

Sisters dives into the heart of sorority and shows the slow reconstruction of a young woman, victim of  one of these too many stories , before she forgets herself.

Selected at Les écrans du réel 2025 (Young Prize), at Les escales documentaire 2025, at the Fipadoc 2026, at mujerDoc 2026

https://www.telerama.fr/television/a-voir-a-la-tele-douze-documentaires-qui-vont-marquer-l-automne-7027110.php

Cette série documentaire suit la première promotion du Junior ballet de l’Opéra national de Paris. Du concours externe qui permettra à neuf danseuses et neuf danseurs de l’intégrer jusqu’à la fin de leur première année de formation, nous voulons raconter la création de ce nouvel ensemble et suivre le quotidien des jeunes artistes qui vont le composer. Des danseurs et danseuses en voie de professionnalisation, qui vont avoir la chance de pratiquer et enrichir leur art dans cet univers d’excellence qu’est le ballet de l’Opéra de Paris. La série racontera les débuts de ce Junior ballet, des premiers échanges aux liens qui se nouent, des studios de répétitions aux salles de spectacle.

Quels seront les progrès ? Les objectifs de chacun.e vont-ils rester les mêmes tout au long du cursus ? Que leur apporte cette formation au sein de l’Opéra ?  Il y aura des réussites et des espoirs, quelques difficultés à surmonter, des tensions, des rebondissements. Ce sera beaucoup de travail, de volonté, des rencontres, une équipe, des surprises et des rêves… à portée de mains ?

https://www.operadeparis.fr/artistes/ballet/le-junior-ballet

During the 1980s, Nastassja Kinski was an international star and sex-symbol. With only a few movies, she showed herself as one of the most talented and promising actresses of her generation. Discovered at 13 by Wim Wenders, revealed at 18 by Roman Polanski, she built herself according to the images that directors projected on her. She yet wanted to break stereotypes in which she was trapped but disappeared after 10 years of career, leaving us with a mystery.

Beall Productions is honored that Bye Bye Tiberias, Lina Soualem’s magnificent film, will have its world premiere at the Venice Biennale in the Giornate degli Autori selection. https://www.giornatedegliautori.com/en/program/bye-bye-tiberiade-eng/#

Bye Bye Tiberias has also been selected at TIFF for it’s North American Premiere in the Tiff Docs selection. https://tiff.net/events/bye-bye-tiberias

We thank everyone who participated with Beall Productions on this long and beautiful journey.

A film by Lina Soualem, with Hiam Abbass – Actress

Produced by Jean-Marie Nizan / Beall Productions / Marie de Labarre

Co Produced by Guillaume Malandrin (Altitude 100 Production), Ossama Bawardi (Philistine Films) / May Jabareen

Screenplay Lina Soualem and Nadine Naous, in collaboration with Gladys Joujou

Cinematography Frida Dop / Additional images Thomas Brémond, Lina Soualem, Ashraf Dowani

Editing Gladys Joujou

Original Music Bouhafa Amine

Sound recording Ludovic Escallier, Lina Soualem, Ibrahim Zaher Sound editing Gervaise Demeure

Sound mixing Julie Tribout / Obsidienne Studio & Benoit Biral

Color grading Christophe Bousquet Researcher Marie-Hélène Barberis Peytavin

Assistant editor Paul Gauthier.

In association with ARTE France / Rasha Salti. With the support of Centre National du Cinéma et de l’Image / PROCIREP & ANGOA / Doha Film Institute / AFAC – The Arab Fund for Arts and Culture / IMS (International Media Support)/ Cinema and Audiovisual Center of the Wallonia-Brussels Federation / The Belgian Tax Shelter and Inver Invest / La fondation de France

International Sales : Lightdox

Sales MENA : MC Distribution

Distribution France : JHR Films / Jane Roger–Fayman

International press : Rendez-Vous / Viviana Andriani Press

Usa & Canada : Kathleen McInnis / See-Through Films

Presse France : Monica Donati

Who has never faced prejudice? Who has never had to undergo reflections or simple glances on their origin, weight, sexual orientation or hair color? In turn victim and executioner. Because behind these sometimes funny prejudices are hidden tenacious stereotypes that foster racism, sexism, ageism, class prejudices which often lead to discrimination.

Some made the first Karate movie in Senegal, others the first superhero film with Sandale-Man. Geeks, autodidacts, soaked up by pop culture… a new generation of filmmakers is now exploding in Senegal. So how did these film lovers learn their job using internet rather than following traditional cinema paths?

The series Everywood documents the emerging film scenes around the world starting with Senegal’s, in order to show its artists’ creativity and determination and the impact of web culture on their work.

With the help of

@cnctalent
@lascamfrance

Find the first episode right there, on Everywood’s official YouTube channel : http://www.youtube.com/@Everywood-officiel

Note from the director :

My name is Thomas Olland, also known as “ThomasMouf” on social medias. I first started working with youtubers (Antoine Daniel, E-Penser, Cyril MP4…) and I then started making my own documentaries.

My favorite theme has always been “Do It Yourself cinema”, and here I am with this YouTube channel and my series Everywood that aims to take you meeting young autodidacts filmmakers around the world from a slum in Uganda to a village in Siberia. Hollywood is over !