Julio Iglesias - Amour, Gloire et Chansons
Available on arte.tv since the 14 december.
Kontakthof - Pina Bausch selon Jo Ann Endicott
Mad in Belgium
Mayerling
Octave Magazine
LET THE MONSTERS IN
CANAL + Available on mycanal
Charlotte Abramow with the Pionnières
RMN Pionnières
A look of one's own
Pioneering artists in the Paris of the "Années Folles".
Cinéma by... Laurent Lafitte
CANAL+ and myCANAL - 2022
The eye, the brush and the cinematographer
Available on Arte.tv
Selected at the 40th edition of FIFA in feature film competition.
Julio Iglesias – Amour, Gloire et Chansons
Available on arte.tv since the 14 december.
53 minutes
Synopsis
8 September 1988, Julio Iglesias enters the stage of Camp Nou in Barcelona. The stadium is packed. 100,000 people, conquered, even before it started. Julio Iglesias is a crooner, Latin version, an idol. 300 million albums sung in 14 languages, 2600 gold or platinum records, 5 decades of tours, awards and fans per thousands …. A velvet voice and a look of ember, Spanish seduced the planet by whispering sweet words. And became the ideal ambassador of his native country. Armed with his talent and charm, Julio Iglesias created his legend. The story of a young Spaniard who set out to conquer the world. A Conquistador.
ÉQUIPE
- Director Anne-Solen Douguet
- Authors Anne-Solen Douguet et Jean-Marie Nizan
- Productor Jean-Marie Nizan
- Director of production Eloïse Brannens
- Commentary Nathalie Labarthe
- Editing Charlotte Teillard d Eyry et Laure Ferrigno
- Research and Documentation Yann Gasland
- Original Music Sébastien Delage
- Sound editing and mixing Benoit Héry
- Calibration Nicolas Perret
- Graphics and animation Thomas Bordier
Kontakthof – Pina Bausch selon Jo Ann Endicott
Octave magazine - 6min28
Synopsis
Dès 1973, Jo Ann Endicott rejoint Pina Bausch à la création de sa compagnie, le Tanztheater Wuppertal. Aujourd’hui directrice artistique des répétitions pour l’entrée de Kontakthof au répertoire du Ballet de l’Opéra, elle travaille avec les danseurs de la Compagnie.
Elle raconte le processus de création de la pièce, auquel elle a participé en 1978, et la multitude de sentiments contrastés qui en forment le sujet. Attachée à la transmission de l’œuvre de Pina Bausch, Jo Ann Endicott revient sur la manière dont elle partage son expérience avec les danseurs du Ballet de l’Opéra.
Disponible en entier en cliquant ici .
ÉQUIPE
- Réalisatrion Anne-Solen Douguet
- Entretien Thida Thongsoume et Antony Desvaux
- Image Anne-Solen Douguet et Sophie Hériat
- Montage Céline Kumbruck
Mad in Belgium
93 minutes
Synopsis
A cinematographic “cadavre exquis”. Authors, directors, actors pirates of images who falsified cinema. From Man Bites Dog to Jan Bucquoy’s biopic, this free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited situationism.
ÉQUIPE
- Director and author Yves Montmayeur
- Productor Jean-Marie Nizan, Vincent Tavier et Hugo Deghilage
- Editing Matthieu Brunel
- Director of production Eloïse Brannens & Hugo Deghilage
- Image and sound Yves Montmayeur
- Generic sequence animation Vincent Patar & Stéphane Aubier
- Original music Stock Hausen and Walkman
Mayerling
Octave Magazine
Contenu Web
3min 52 - Octave Magazine / Opéra de Paris - 2022
Synopsis
On the occasion of the entry into the repertoire of the Ballet de l’Opéra de Paris in Mayerling, guest coach Karl Burnett discusses his work of transmission. A specialist in Benesh notation, he worked with Kenneth MacMillan and now choreographs for the Company’s dancers. He revisits MacMillan’s virtuoso neo-classical style and how each step is linked to the ballet script. The very dark role of Prince Rudolph, one of the most complicated in the repertoire, is for the interpreters a psychological and technical tour de force.
ÉQUIPE
- Entretien Antony Desvaux
- Director Anne-Solen Douguet
- Director of photography Anne-Solen Douguet et Sophie Hériat
- Editing Laure Ferrigno
- Productor Jean-Marie Nizan
LET THE MONSTERS IN
CANAL + Available on mycanal
52 minutes - Stereo HD format
Synopsis
For some time, genre cinema has taken a new place in French cinema. The public seems to be there, the distributors are interested, the CNC is launching a support program, the broadcasters are asking, the revenues are there, calls for projects are multiplying.
And it seems timely. A new generation of filmmakers, accompanied by young producers, shows a furious desire to tackle the genre.
And then the coronation. During the Cannes Film Festival 2021, to everyone’s surprise, the jury chaired by Spike Lee distinguished the second feature from a young French director. Julia Ducournau receives the Palme d’Or for Titanium. When she thanks the jury, the director questions her, and with him all the cinema, and thanks him for “letting the monsters in”.
But what is the filmmaker talking about? What are the monsters whose return she highlights? Is this sentence a program? Is she talking only about France and its cinema?
This is what this documentary proposes to explore.
ÉQUIPE
- Diretor Matis Catel
- Productor Jean-Marie Nizan
- Director of production Eloïse Brannens
- Editing Yann Ducreux
- Photography Sébastien Bergé, Valério Carignano, Florent Genieys
- Original Music Adam Simoes
- Graphics and generics Quentin Darredeau
Charlotte Abramow – RMN Pionnières
RMN Pionnières
Web content
5min - RMN Pionnières / Musée du Luxembourg - 2022
Synopsis
Visit the exhibition Pionnières, now closed, with Catel Muller, author and designer, Aurélie Saada, musician and director, and then Charlotte Abramow, photographer and director. Three artists today tell us about the pioneers of the Roaring Twenties.
All the videos: https://museeduluxembourg.fr/fr/actualite/trois-artistes-daujourdhui-en-compagnie-des-pionnieres
ÉQUIPE
- Direction and Interview Anne-Solen Douguet
- Director of photography Gaubert Denis et Justine Bourgade
- Editing Florian Coulouma
A look of one's own
Pioneering artists in the Paris of the "Années Folles".
Available on France.tv
Synopsis
“A look at yourself The pioneering artists in Paris in the Années Folles” wants to recount this period of fertile and intense creation from the point of view of women. And show how these creators have changed the way the artist looks at the world and the way the world looks at them. The importance of female creation, the timelessness of these works and their scope. The film accompanies the exhibition “Pionnières” which takes place at the Musée du Luxembourg from March 2 to July 10, 2022 and celebrates these pioneers of the Roaring Twenties, pioneers in their arts and in their lives.
ÉQUIPE
- Director Anne-Solen Douguet
- Productor Jean-Marie Nizan
- Editing Laodice Kolk
- Comment said by Anaïs Demoustier
- Original Music Laetitia Pansanel-Garric
- Graphics Thomas Bordier
- Director of production Marie de Labarre
- Documentalist Christine Hamon
Cinéma by… Laurent Lafitte
CANAL+ and myCANAL - 2022
59 minutes
Synopsis
Revealed on the big screen at the turn of the 2000s after debuting in television series, Laurent Lafitte has established himself as a leading actor, able to shine in cinema or on stage, at ease in all genres. Guest of honor of this episode of the show Cinema par…, he has a carte blanche to tell his trade, expose his tastes in cinema and thus tell himself in a hollow.
ÉQUIPE
- Diretor Stéphane Bergouhnioux
- Editing Nicolas Le Du
- Productor Jean-Marie Nizan
- Director of production Eloïse Brannens
- Photography Florent Genieys
- Documentalist Christine Hamon
- Assistant director Lola Bodin Adriaco
- Sound Bruno Diego
The eye, the brush and the cinematographer
Available on Arte.tv
Selected at the 40th edition of FIFA in feature film competition.
Synopsis
December 28, 1895 has always been told as a revolutionary date: that of the invention of cinema. However, there was already a «cinematic eye» before the arrival of the Cinématographe des frères Lumière. He gradually awakened to give birth to the spectator we are today at the turn of the 20th century in Paris. Between the advent of the modern city, exchanges between painting, photography and animated images, the film offers to relive the birth of the modern look.
To see in full on Arte.tv, ici.
ÉQUIPE
- Director Stefan Cornic
- Productor Jean-Marie Nizan
- Editing Adrien Guilloteau
- Comment said by Vimala Pons
- Original Music Laetitia Pansanel-Garric